Insinuendo: Murder in the Museum
2. What question would you most like to ask the author about Insinuendo?
3. This murder mystery is not a thriller, nor is it towards the softer end of cozies; it’s almost medium-boiled. Even if this is not your favourite sub-genre, what drew you in to read the whole book, or, conversely, what made you put it down unfinished?
4. If clues and events in the plot intrigued you, what were they related to . . . the collections? Workplace dynamics? The personality or work specialty of the characters? A contemporary museum setting? Anything else? If the elements of the plot did not intrigue you, did that relate to any of the categories just mentioned?
5. Does the Museum of Anthropology as represented in this novel resemble your own knowledge and experience of museums and art galleries? If not, how would you have changed the setting?
6. There are many ways to describe collections. In Insinuendo, several characters describe the museum’s collections differently. For you, is there a difference between “artifact” and “antiquity”, for example? What word(s) does Berry prefer? Theo? Indigenous people? What word(s) do you prefer?
7. This question is especially for book clubs whose members are different ages; what do you think of Berry at 53 years old—does she ring true for you?